Louis Cole: ‘Funk is fun but with jazz you can just go wild’

- Sep 27, 2022
Jake Blount on his Afrofuturist folk climate eulogy: ‘What would music sound like when we’re dead?’
- Sep 12, 2022
Violinist 4stringz on manifesting success & the importance of representation
- Sep 9, 2022
Sudan Archives: ‘In so many places in the world the violin brings the party’
- Aug 16, 2022
‘Maybe we’ll become a genre’: Wu-Lu, the punky lo-fi hip-hop star moving fast to transcend labels
- Aug 2, 2022
Rimzee on the price of being an independent voice
- Aug 2, 2022
‘The establishment didn’t know what to do with me’: Sanjeev Bhaskar on marriage, success and stereot
- Jul 4, 2022
‘I smoke weed and I go to strip clubs. But I care about people!’ Killer Mike Interview
- May 31, 2022
Jamming with Jokerman: how Bob Marley and Bob Dylan’s songs powered hit musicals
- May 29, 2022
Sean Paul: ‘A new generation are making dancehall their own’
- May 24, 2022
Soul veteran Jean Carne: ‘Duke Ellington was a wonderful, grandfatherly gentleman’
- May 16, 2022
‘We have to fight – and I’ll do my part’: John Legend on Roe v Wade, Kanye West and his mother’s add
- May 12, 2022
Richard Jacques: ‘Orchestral scores in games provide such a human connection for the player’
- Apr 17, 2022
Tan France: ‘I was conditioned to think light skin was better’
- Mar 29, 2022
Immanuel Wilkins Preaches the Word
- Mar 25, 2022
‘My music is singular to me’: Arooj Aftab, the brightest new star at this year’s Grammys
- Feb 24, 2022
Jeremy Pope: ‘I’m in the healing business, since art can change the way that you think’
- Jan 4, 2022
Music Always Remains : The Nubya Garcia Interview
- Dec 3, 2021
‘Evolution is part of tradition’: musician Makaya McCraven on the future of jazz
- Nov 24, 2021
Balwinder Singh Rana: the fearless anti-fascist who fought racism at work – then on the streets