‘People call me the godfather of fusion’: the return of jazz-funk keyboardist Lonnie Liston Smith

- Apr 17
Director Nida Manzoor: ‘For teenage girls, everything feels so intense it’s almost violent’
- Apr 13
Dave Okumu transforms the personal into a conversation
- Mar 6
Jazz-soul singer Lady Blackbird: ‘I feel like I’m in my own biopic!’
- Feb 20
Actor Bukky Bakray: the Rocks star hitting the big time
- Jan 9
Kumail Nanjiani: ‘It would take a lot of effort not to run away before every show'
- Jan 5
Duval Timothy: Life in Colour
- Dec 16, 2022
Fousheé: ‘It’s not acceptable for a Black woman to be angry’
- Dec 6, 2022
Actor Anjana Vasan: ‘We Are Lady Parts is about embracing your weirdness’
- Nov 28, 2022
Jacob Collier: ‘I have so many ideas that I call it ‘creative infinity syndrome’
- Nov 16, 2022
Maral: Aural Histories
- Nov 9, 2022
Tom Skinner on the Smile, Sons of Kemet and going solo: ‘It gives me a blank slate to explore’
- Nov 9, 2022
‘This isn’t a clickbait story of a white family with a black kid’: Jimmy Akingbola on growing up in
- Nov 9, 2022
‘We captured lightning’ – documenting jazz hero Roy Hargrove
- Oct 3, 2022
Louis Cole: ‘Funk is fun but with jazz you can just go wild’
- Sep 27, 2022
Jake Blount on his Afrofuturist folk climate eulogy: ‘What would music sound like when we’re dead?’
- Sep 12, 2022
Violinist 4stringz on manifesting success & the importance of representation
- Sep 9, 2022
Sudan Archives: ‘In so many places in the world the violin brings the party’
- Aug 16, 2022
‘Maybe we’ll become a genre’: Wu-Lu, the punky lo-fi hip-hop star moving fast to transcend labels
- Aug 2, 2022
Rimzee on the price of being an independent voice