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Sona Jobarteh’s forward-looking vision of the kora

  • Ammar Kalia
  • May 9, 2024
  • 1 min read

“Being modern is often associated with becoming western,” says kora virtuoso and vocalist Sona Jobarteh. “What I’m trying to bring to attention is that there is such a thing as being modern and African at the same time. You don’t have to abandon your own culture and traditions to have a voice.”


Jobarteh, 40, has spent the past 15 years establishing her own distinctly modern take on Gambian musical traditions. She is descended from a family of West African griots — musical storytellers employed to counsel kings and pass on oral histories — whose lineage can be traced back to the 12th century. 


Jobarteh’s ancestors passed down musical knowledge from father to son and focused their talents on the kora, a 21-stringed harp-like instrument made from a calabash gourd. With the release of her debut album Fasiya in 2011, Jobarteh announced herself as the first female practitioner of this centuries-old tradition.   


Read the profile in Hyphen Magazine.


[This piece was published on 09/05/24]

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