top of page

Miguel Atwood-Ferguson on his giant 50-song album: ‘I wanted to approach it like an experiment’

Chances are you have already heard Miguel Atwood-Ferguson’s work. You may not know who the LA-based composer and strings player is, but if you’ve listened to contemporary American music or watched recent TV and film from the US, you will have likely heard the sound of his bow sweeping across orchestral strings.

Softly spoken and typically dressed down in a washed-out T-shirt and sweatpants, Atwood-Ferguson is the unassuming presence behind orchestrations and performances for everyone from Ray Charles to Stevie Wonder, via Quincy Jones, Rihanna, Dr Dre and the Roots. In the past decade, he has become a key part of the west coast beats and jazz scene that coalesced around artists such as the producer Flying Lotus, saxophonist Kamasi Washington and bassist Thundercat, all releasing on Flying Lotus’s label Brainfeeder. Bridging the worlds of classical, jazz, hip-hop and pop, Atwood-Ferguson – who has more than 600 recordings to his name and in excess of 2,500 live shows played in the past two decades – is the go-to guy to provide spaces of instrumental beauty in busy sound worlds.

Read the interview in the Guardian.

[This piece was published on 13/11/23]

Recent Posts

See All

Warren Wolf is determined to do it all. More than 20 years into his career as a vibraphonist, drummer and composer, the Baltimore-based musician shares the true breadth of his musical talent. “I’m rel

Yussef Dayes speaks like he drums: quickly, deftly and with intent. Leaning in and talking animatedly over a formica table-top in a local south London café, the percussionist and producer explains how

bottom of page