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Global Music Column – November

Debit – Desaceleradas M exican-American producer Delia Beatriz, AKA Debit, has a talent for making historical sounds her own. Her 2022 breakthrough, The Long Count, featured woozy, ambient soundscapes made from electronically processed samples of ancient Maya flutes. On her latest record, Desaceleradas (Decelerated), Beatriz turns her attention to the 90s trend of cumbia rebajada . Slowing the Afro-Latin dance genre of cumbia to a sludgy tempo, cumbia rebajada is a dub-infl

Global Music Column – October

Mohinder Kaur Bhamra – Punjabi Disco I n 1982, London-based Sikh devotional singer Mohinder Kaur Bhamra recorded a true oddity. Accompanied by her son Kuljit on an early Roland synthesiser and drum machine, the pair laid down nine tracks of Punjabi folk vocals backed by hammering electronic percussion, disco basslines and fizzing synth melody. Only 500 copies of the resulting album, Punjabi Disco, were pressed; it was released to confusion from a diaspora audience used to th

New Noise: How Loudness Became a Creative Tool

On an overcast Wednesday in May, a room full of people at South London venue Ormside Projects break into a sweaty moshpit, moved by thunderous bass frequencies and bursts of screams emanating from the stage. A heavy, thrashing sound fills the air: guts shake with low-end vibrations and wailing distortion rattles teeth. Speakers clip and briefly cut out, while the mixing desk groans under the weight of its redline limit. It's so loud you can barely hear your own thoughts. The

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