top of page
Search

Global Music Column – June

  • 7 hours ago
  • 1 min read

Matías Aguayo – Anenoa

Over the past two decades, Chilean-German vocalist and producer Matías Aguayo’s mutable, instinctive singing has been an instantly identifiable ingredient of leftfield electronic music. On Battles’ 2011 track Ice Cream, he squealed and tripped through syllables against a thunderous synth backing, while Japanese synth-pop group Crystal’s 2017 track Kimi Wa Monster saw Ayuayo singing a keening, childlike melody over instrumental. His own releases featured layered chants and scatter-gun vocal rhythms over pulsing Afro-Latin beats. While his last record, 2019’s Support Alien Invasion, marked his first foray into instrumental music, Anenoa heralds Aguayo’s welcome return to the mic across a selection of hard-hitting, dancefloor-focused arrangements.


Read the review in the Guardian.


This piece was published on 29/05/26]

Recent Posts

See All
Global Music Column – May

Serokolo 7 – Maramfa Musick Pro South Africa pulses with electronic music. From the slow-bubbling feel of amapiano to the frenetic pace of Durban’s gqom, Soweto’s marimba-heavy shangaan electro and th

 
 
 
Global Music Column – April

Sanaya Ardeshir – Hand of Thought A s Sandunes, Indian producer Sanaya Ardeshir has spent the last decade exploring the melodic side of electronic music with three ebullient albums that drew on the br

 
 
 
Global Music Column – March

Simo Cell and Abdullah Miniawy – Dying Is the Internet E gyptian singer Abdullah Miniawy has spent the past decade lending his melismatic voice and Arabic classical maqam melodies to a fascinating ran

 
 
 

Comments

bottom of page