top of page

Global Music – March

Sélène Saint-Aimé: Potomitan

In Haitian Vodou, the potomitan is the central pillar that holds up the temple. At its base is where ritual sacrifices and offerings take place; along its shaft are carved the foundational images of the religion, encouraging spirits to pass through its structure and transmute into the bodies of the faithful who surround it.


It is an apt symbol for jazz bassist and vocalist Sélène Saint-Aimé’s second album. Written largely during the pandemic, when Saint-Aimé left Paris for her native Martinique to be with family, there is something deeply enigmatic and yet solidly structural about these 11 compositions.


Read the review in the Guardian.


[This piece was published on 25/02/22]

Recent Posts

See All

DJ Znobia: Inventor Vol 1 In the late 90s, dancer Sebastião Lopes was experimenting with the production software FruityLoops in his hometown of Luanda, Angola. Wanting to create harder, faster music t

Deena Abdelwahed – Jbal Rrsas Since the release of her debut album Khonnar in 2018, Tunisian DJ and producer Deena Abdelwahed has been on a mission to recontextualise popular music from the Arab world

Every few years, there is a flurry of excitement as an artist is “rediscovered”. Old cassettes, records and master tapes are dusted off to produce slick reissues, sparking fresh reappraisal and length

bottom of page