top of page

Global Music Column – June

  • Jun 16, 2024
  • 1 min read

Malcolm Jiyane Tree-O – True Story

The South African jazz scene has exploded with fresh talent in recent years, from artists such as Johannesburg collective Spaza, who have developed an urgent form of social consciousness free jazz, to pianist Thandi Ntuli’s minimal and affective melodies and drummers Asher Gamedze and Tumi Mogorosi’s thrashing maximalism.


At the softer end of the spectrum sits trombonist and Spaza member Malcolm Jiyane. Harking back to the country’s popular jazz pioneers in the mid-tempo, melodically rich work of Abdullah Ibrahim and Hugh Masekela, Jiyane’s 2021 debut Umdali found its strengths in subtlety, building bright, emotive soundscapes from group vocals, horn fanfares and undulating rhythms.


Read the review in the Guardian.


[This piece was published on 14/06/24]

Recent Posts

See All
The life and death of dubstep

One of my earliest and most formative clubbing experiences was spent in a church basement in Brixton around 2010. Age 16 and blinded by dry ice, it wasn’t the thrill of gaining entry to a club underag

 
 
 
Hit Machine review

On paper, writer Jonathan Caren’s Hit Machine has all the makings of a chart-topping smash. Featuring the London stage debuts of Josh Radnor (How I Met Your Mother) and Noah Galvin (Dear Evan Hansen),

 
 
 
Global Music Column – August

The Zarabanda Variations – The Zarabanda Variations Classical music aficionados will be familiar with the stately form of the sarabande – a Spanish dance adopted into a languorous and tender musical s

 
 
 

Comments


bottom of page