top of page

Global Music Column – April

  • May 1, 2023
  • 1 min read

Bongeziwe Mabandla – amaXesha

Over the past decade, South African singer-songwriter Bongeziwe Mabandla has been reimagining Xhosa folk music. His 2012 debut album, Umlilo, was a largely acoustic effort, combining the genre’s yearning choral harmonies with finger-strumming guitar and an underlying sense of jazz swing; five years later, on Mangaliso, he introduced electronic rhythms, which pulsated beneath his lyrics on love and loss and propelled the dancefloor stomp of his most popular song to date, Ndokulandela. Following the heartbreak-fuelled introspection of 2020’s Iimini, amaXesha (or The Times) vaults to the other end of the scale as his most expansive and wide-ranging record to date. Across its 14 tracks, Mabandla fuses Xhosa lyrics with electronic ambience, hook-laden synth melody and acoustic simplicity.


Read the review in the Guardian.


[This piece was published on 28/04/23]

Recent Posts

See All
Global Music Column – July

Various Artists – Candomblé: Sacred Rhythms in Brazil The Brazilian religious and musical tradition of candomblé is a rhythmic barrage. Originating in the 19th century among enslaved west Africans, ca

 
 
 
Global Music Column – June

Matías Aguayo – Anenoa Over the past two decades, Chilean-German vocalist and producer Matías Aguayo’s mutable, instinctive singing has been an instantly identifiable ingredient of leftfield electroni

 
 
 
Global Music Column – May

Serokolo 7 – Maramfa Musick Pro South Africa pulses with electronic music. From the slow-bubbling feel of amapiano to the frenetic pace of Durban’s gqom, Soweto’s marimba-heavy shangaan electro and th

 
 
 

Comments


bottom of page