Ammar Kalia

Hear me out: why Maid in Manhattan isn't a bad movie

Global Music Column – January

The 10 best global albums of 2020

‘We try to be devoid of cynicism’: the secret to The Goes Wrong Show's success

Regé-Jean Page on Bridgerton: 'We’re seeing this Regency romance through a feminist lens'

The 50 best TV shows of 2020, No 7: The Last Dance

The best albums of 2020, No 10: Moses Sumney – Græ

Daytime dream: The Chase is the undisputed king of quizshows

Kintsugi: Jazz Poems for Musicians Alive and Dead

Global Music Column – December

Dance like a butterfly, sting like a bee: why Akram Khan embraced MMA

'Fill the room with love': the stress-busting jazz of Alabaster dePlume

Global Music Column – November

'A tool for systemic change': jazz comes to Channel 4 for Black History Month

‘Real life but better looking’: ultimate teen soap Hollyoaks turns 25

Jude Law live for 12 hours – The Third Day: Autumn pushed boundaries, but was it good?

Global Music Column – October

‘Downton Abbey on the water’: why TV's Below Deck is still making waves

The art of tantra: is there more to it than marathon sex and massages?

Global Music Column – September