Ammar Kalia

When I speak to the Colombian Canadian musician Lido Pimienta, it’s in the run-up to Colombia’s presidential election, and she is worried. One of the two remaining candidates, Abelardo de la Espriella, “is so rightwing he wants to open up our beautiful country to fracking and the influence of the US,” she says – and at one point in his campaign, De la Espriella said he wanted to “disembowel” the left. He later waved that away as a mere figure of speech, but Pimienta fears tha

At Sussex’s Love Supreme festival last weekend, Femi Koleoso and James Mollison of British jazz figureheads Ezra Collective joined me for a wide-ranging conversation on their artistry, the power of the dancefloor and hopes for the future of British music. With Koleoso noting that “dancefloors are dancefloors, whether it’s people with instruments or people with turntables, there’s a synergy between all those spaces”, the pair reminisced about some of their own favourite dancef

For a weekend in July each year, a vast warehouse complex in the port city of Rotterdam becomes home to the biggest names in jazz. Under the banner of the North Sea jazz festival, the labyrinthine, windowless space has played host to performances from the likes of Miles Davis, free jazz pioneer Ornette Coleman, singer Etta James, saxophonist Wayne Shorter and even Prince. “We’ve had every major figure in jazz play for us over the past five decades,” senior programme manager S

British hospitality is in crisis. In the first quarter of 2026, three hospitality sites closed every day, while one in five remaining businesses fear collapse over the next year owing to rises in tax and employment costs. For those venues struggling to make ends meet in London in particular, there is the added worry of increasingly stringent licensing rules and influential lobby groups making once-thriving areas such as Soho a ghost town after 11pm. And yet one hospitality ni

Various Artists – Candomblé: Sacred Rhythms in Brazil The Brazilian religious and musical tradition of candomblé is a rhythmic barrage. Originating in the 19th century among enslaved west Africans, candomblé manifested in music as a ritual practice of drumming circles, where polyrhythms were hammered out to induce possession by spirits. Athens-based archival label Flee presents a treasure trove of this ceremonial music from a community in Salvador in the late 1980s, alongside

The late singer-songwriter and LSD aficionado David Crosby told a wild story of his first time watching saxophonist John Coltrane perform in 1960s New York. Overwhelmed and overstimulated by the ferocity of Coltrane’s band – as well as his acid trip – Crosby found himself taking shelter in the bathroom next to the stage. “And then BAM! Somebody kicks the door open. It’s ’Trane,” he recounted. “He’s playing at the most intense level you can ever imagine in your life. He never

Scullery Department (from Jazz Epistle Verse 1, 1960) Born Adolph Johannes Brand in Cape Town in 1934, Abdullah Ibrahim spent his six-decade career defining the heartfelt sound of South African jazz. Making his professional debut as a pianist at 15 under the name Dollar Brand, it was his co-founding of the group the Jazz Epistles in 1959 that laid the groundwork for his journeying career. South Africa’s first Black jazz group, featuring trumpeter Hugh Masekela who would go on

Walk down the specialist aisle in most British supermarkets and you will find a red jar with the kindly face of a middle-aged Chinese woman staring back at you. Branded Lao Gan Ma, meaning “old godmother”, these jars contain chilli crisp – a spicy, crunchy and moreish umami condiment that has made made hundreds of millions for Tao Huabi, the woman on the label. Doused over steaming dumplings, fried eggs, noodles and even ice-cream, Lao Gan Ma’s chilli crisp has become a socia

‘Curry might have come from India, but balti was born in Birmingham,” says Zaf Hussain. The 40-year-old’s family business, Shababs, has been on this site on the bustling Ladypool Road in south-east Birmingham since his father opened it in 1987. Settled in between the Indian sweet shops and south Asian bridal boutiques, Shababs is one of the last remaining restaurants in the city that still makes an authentic balti curry – a dish that, if Hussain and other campaigners have the

Matías Aguayo – Anenoa Over the past two decades, Chilean-German vocalist and producer Matías Aguayo’s mutable, instinctive singing has been an instantly identifiable ingredient of leftfield electronic music. On Battles’ 2011 track Ice Cream, he squealed and tripped through syllables against a thunderous synth backing, while Japanese synth-pop group Crystal’s 2017 track Kimi Wa Monster saw Ayuayo singing a keening, childlike melody over instrumental. His own releases featured