Ammar Kalia

Jake Blount on his Afrofuturist folk climate eulogy: ‘What would music sound like when we’re dead?’

Violinist 4stringz on manifesting success & the importance of representation

Sudan Archives: ‘In so many places in the world the violin brings the party’

Global Music Column – October

Beatrice Dillon and Kuljit Bhamra – review

The highlife sound forged by civil war and the dancefloor

Jaubi, Union Chapel – review

‘I had a very welcome lie-in on Friday’: the joys and challenges of switching to a four-day week

‘Maybe we’ll become a genre’: Wu-Lu, the punky lo-fi hip-hop star moving fast to transcend labels

Global Music Column – September

Rimzee on the price of being an independent voice

‘The establishment didn’t know what to do with me’: Sanjeev Bhaskar on marriage, success and stereot

Jamie T – The Theory of Whatever review

‘Our love triangle was outrageous!’ Neighbours legends remember the good, the bad and the very silly

Global Music Column – August

‘I smoke weed and I go to strip clubs. But I care about people!’ Killer Mike Interview

Global Music Column – July

Jamming with Jokerman: how Bob Marley and Bob Dylan’s songs powered hit musicals

Sean Paul: ‘A new generation are making dancehall their own’

Soul veteran Jean Carne: ‘Duke Ellington was a wonderful, grandfatherly gentleman’