top of page

Global Music Column – August

24 hours ago
1 min read

Gaia Wilmer Large Ensemble – Parabólico

Over the past three years, Brazilian saxophonist and composer Gaia Wilmer has reimagined the catalogues of her country’s virtuosos so radically that it’s become a signature art. Folia: The Music of Egberto Gismonti transformed his finger-picked melodics into an almost prog-influenced cacophony; Trem das Cores, celebrating tropicália pioneer Caetano Veloso, found the eerie tenderness in his lilting melodies. Now returning with the first part of a three-volume homage to singer Gilberto Gil, Wilmer and her 20-piece ensemble produce luscious new works from their deconstructions.


Read the review in the Guardian.


[This piece was published on 21/08/26]

Recent Posts

See All
The life and death of dubstep

One of my earliest and most formative clubbing experiences was spent in a church basement in Brixton around 2010. Age 16 and blinded by dry ice, it wasn’t the thrill of gaining entry to a club underag

 
 
 
Hit Machine review

On paper, writer Jonathan Caren’s Hit Machine has all the makings of a chart-topping smash. Featuring the London stage debuts of Josh Radnor (How I Met Your Mother) and Noah Galvin (Dear Evan Hansen),

 
 
 
Global Music Column – August

The Zarabanda Variations – The Zarabanda Variations Classical music aficionados will be familiar with the stately form of the sarabande – a Spanish dance adopted into a languorous and tender musical s

 
 
 

Comments


bottom of page