top of page

Beverly Glenn-Copeland – The Ones Ahead

  • Ammar Kalia
  • Aug 9, 2023
  • 1 min read

Every few years, there is a flurry of excitement as an artist is “rediscovered”. Old cassettes, records and master tapes are dusted off to produce slick reissues, sparking fresh reappraisal and lengthy column inches on everyone from Nick Drake to Julius Eastman, Arthur Russell and, most recently, Beverly Glenn-Copeland.


Since 2015, the remarkable, operatic voice of American singer Glenn-Copeland has found a new audience who are enthralled by his emotive vibrato, poetic lyrics and propensity for synth and drum machine experimentalism. It was the 2017 reissue of 1986’s Keyboard Fantasies that cemented Glenn-Copeland as a master of New Age songwriting, infusing his euphoric lyrics on the enduring power of love and nature with clattering drum programming and the metallic, preset tones of the Roland TR-707 and Yamaha DX7 synthesisers.


Read the review in Crack Magazine.


[This piece was published on 03/08/23]

Recent Posts

See All
Global Music Column – January

Toni Geitani – Wahj A rabic electronic experimentalism is thriving. In recent years, diaspora artists such as Egyptian producer Abdullah Miniawy, singer Nadah El Shazly and Lebanese singer-songwriter

 
 
 
The 10 best global albums of 2025

10. Sarathy Korwar – There Is Beauty, There Already A 40-minute suite of continuous, repetitive drumming might not sound like the most accessible music but south Asian percussionist and producer Sarat

 
 
 
Global Music Column – November

Debit – Desaceleradas M exican-American producer Delia Beatriz, AKA Debit, has a talent for making historical sounds her own. Her 2022 breakthrough, The Long Count, featured woozy, ambient soundscapes

 
 
 

Comments


bottom of page