top of page

Global Music Column – October

Titanic – Vidrio

Over three solo albums, Guatemala-born and Mexico City-based cellist and singer Mabe Fratti has honed the art of creating music that revels in an underlying unease. Since her 2020 debut Pies Sobre La Tierra, Fratti has undercut her soft falsetto and floating melodies with fragments of scraped bows on strings, shards of whispered electronics and thorny harmonies. Fratti’s sonic world is all tension and release, compelling in its yearning movement.


For her latest project, Titanic, Fratti has partnered with Mexico City multi-instrumentalist Hector Tosta. Their debut album, Vidrio, channels that same tension, but rather than operate in Fratti’s usual world of off-kilter folk, Tosta’s influence broadens their palette with jazz improvisation, driving drum grooves and atonal orchestration.


Read the review in the Guardian.


[This piece was published on 13/10/23]

Recent Posts

See All

Global Music Column – February

Yazz Ahmed – A Paradise in the Hold Since the release of her 2011 debut album, Finding My Way Home, British Bahraini trumpeter Yazz Ahmed...

Global Music Column – January

Ale Hop & Titi Bakorta – Mapambazuko P eruvian multi-instrumentalist Ale Hop has a knack for unsettling reinventions of musical...

Comments


bottom of page