top of page

Global Music Column – November

  • Ammar Kalia
  • Oct 7, 2022
  • 1 min read

Updated: Nov 21, 2022

Sarathy Korwar – Kalak

Sarathy Korwar has a light touch behind the drum kit. Since debuting with 2016’s Day to Day, where he mixed the folk music of the Siddi community from rural Gujarat with west African rhythms and Indian classical melodies, Korwar’s playing has been soft and subtle enough to encompass the intricacies of disparate rhythms, while still possessing a grounded metronomic solidity. Korwar makes himself heard not through power and volume, but in the guiding steadiness of his hand.


On his fourth album as a bandleader, Korwar reaches the apex of this open drumming technique. Made in collaboration with electronic producer Photay, Kalak is a beguiling body of work, enveloping the listener in undulating synth melodies, layered horn fanfares and vocal features – all driven forward by Korwar’s ever-present percussion.


Read the review in the Guardian.


[This piece was published on 07/10/22]

Recent Posts

See All
Global Music Column – January

Toni Geitani – Wahj A rabic electronic experimentalism is thriving. In recent years, diaspora artists such as Egyptian producer Abdullah Miniawy, singer Nadah El Shazly and Lebanese singer-songwriter

 
 
 
The 10 best global albums of 2025

10. Sarathy Korwar – There Is Beauty, There Already A 40-minute suite of continuous, repetitive drumming might not sound like the most accessible music but south Asian percussionist and producer Sarat

 
 
 
Global Music Column – November

Debit – Desaceleradas M exican-American producer Delia Beatriz, AKA Debit, has a talent for making historical sounds her own. Her 2022 breakthrough, The Long Count, featured woozy, ambient soundscapes

 
 
 

Comments


bottom of page