top of page

Global Music Column – November

Sarathy Korwar – Kalak

Sarathy Korwar has a light touch behind the drum kit. Since debuting with 2016’s Day to Day, where he mixed the folk music of the Siddi community from rural Gujarat with west African rhythms and Indian classical melodies, Korwar’s playing has been soft and subtle enough to encompass the intricacies of disparate rhythms, while still possessing a grounded metronomic solidity. Korwar makes himself heard not through power and volume, but in the guiding steadiness of his hand.

On his fourth album as a bandleader, Korwar reaches the apex of this open drumming technique. Made in collaboration with electronic producer Photay, Kalak is a beguiling body of work, enveloping the listener in undulating synth melodies, layered horn fanfares and vocal features – all driven forward by Korwar’s ever-present percussion.

Read the review in the Guardian.

[This piece was published on 07/10/22]

Recent Posts

See All

DJ Znobia: Inventor Vol 1 In the late 90s, dancer Sebastião Lopes was experimenting with the production software FruityLoops in his hometown of Luanda, Angola. Wanting to create harder, faster music t

Deena Abdelwahed – Jbal Rrsas Since the release of her debut album Khonnar in 2018, Tunisian DJ and producer Deena Abdelwahed has been on a mission to recontextualise popular music from the Arab world

Every few years, there is a flurry of excitement as an artist is “rediscovered”. Old cassettes, records and master tapes are dusted off to produce slick reissues, sparking fresh reappraisal and length

bottom of page