top of page

Global Music Column – June

  • Jun 13, 2025
  • 1 min read

Witch – Sogolo

In the early 1970s, a newly independent Zambia was forging a sound of its own. Young bands such as the Peace and Ngozi Family mixed distorted guitars with bluesy riffs, falsetto vocals and Fela Kuti-influenced Afrobeat rhythms to produce a genre they labelled Zamrock. At the forefront of this scene was singer Emmanuel “Jagari” Chanda’s Witch (We Intend to Cause Havoc). With his nickname paying homage to Mick Jagger, Chanda channelled the Stones’ swagger – alongside a healthy dose of lo-fi vocal grit and meandering, prog-influenced grooves – into five Witch records.


Although the group splintered in the 80s, reissues of their music in the 2010s sparked a Witch resurgence: in 2023, Chanda reunited with keys player Patrick Mwondela to produce their first new album in almost 30 years, Zango. Their latest, Sogolo, shows the revamped band in punchy form.


Read the review in the Guardian.


[This piece was published on 06/06/25]

Recent Posts

See All
Global Music Column – June

Matías Aguayo – Anenoa Over the past two decades, Chilean-German vocalist and producer Matías Aguayo’s mutable, instinctive singing has been an instantly identifiable ingredient of leftfield electroni

 
 
 
Global Music Column – May

Serokolo 7 – Maramfa Musick Pro South Africa pulses with electronic music. From the slow-bubbling feel of amapiano to the frenetic pace of Durban’s gqom, Soweto’s marimba-heavy shangaan electro and th

 
 
 
Global Music Column – April

Sanaya Ardeshir – Hand of Thought A s Sandunes, Indian producer Sanaya Ardeshir has spent the last decade exploring the melodic side of electronic music with three ebullient albums that drew on the br

 
 
 

Comments


bottom of page