Global Music Column – June
- Ammar Kalia
- Jun 13
- 1 min read
Witch – Sogolo
In the early 1970s, a newly independent Zambia was forging a sound of its own. Young bands such as the Peace and Ngozi Family mixed distorted guitars with bluesy riffs, falsetto vocals and Fela Kuti-influenced Afrobeat rhythms to produce a genre they labelled Zamrock. At the forefront of this scene was singer Emmanuel “Jagari” Chanda’s Witch (We Intend to Cause Havoc). With his nickname paying homage to Mick Jagger, Chanda channelled the Stones’ swagger – alongside a healthy dose of lo-fi vocal grit and meandering, prog-influenced grooves – into five Witch records.
Although the group splintered in the 80s, reissues of their music in the 2010s sparked a Witch resurgence: in 2023, Chanda reunited with keys player Patrick Mwondela to produce their first new album in almost 30 years, Zango. Their latest, Sogolo, shows the revamped band in punchy form.
Read the review in the Guardian.
[This piece was published on 06/06/25]
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