top of page

Global Music Column – January

  • Ammar Kalia
  • Jan 6, 2023
  • 1 min read

Rian Treanor and Ocen James – Saccades

Within the grid-based continuum of contemporary electronic music, Rotherham producer Rian Treanor is an experimental outlier. Shunning four-to-the-floor kick drums and repetitive synth melodies, Treanor trades in squeals, shrieks and scattergun bass, stretching formulaic structures into amorphous tracks that veer between danceablity and cacophony.


Treanor’s influences span British computer music innovators such as Autechre, Aphex Twin, and his father, Mark Fell; his 2019 debut, Ataxia, comprised fractal, bass-heavy edits, while 2020’s File Under UK Metaplasm grew from a residency at Ugandan label Nyege Nyege’s Kampala studio, where Treanor was introduced to east African hyperspeed dance styles such as singeli and balani.


Read the review in the Guardian.


[This piece was published on 06/01/23]

Recent Posts

See All
Global Music Column – January

Toni Geitani – Wahj A rabic electronic experimentalism is thriving. In recent years, diaspora artists such as Egyptian producer Abdullah Miniawy, singer Nadah El Shazly and Lebanese singer-songwriter

 
 
 
The 10 best global albums of 2025

10. Sarathy Korwar – There Is Beauty, There Already A 40-minute suite of continuous, repetitive drumming might not sound like the most accessible music but south Asian percussionist and producer Sarat

 
 
 
Global Music Column – November

Debit – Desaceleradas M exican-American producer Delia Beatriz, AKA Debit, has a talent for making historical sounds her own. Her 2022 breakthrough, The Long Count, featured woozy, ambient soundscapes

 
 
 

Comments


bottom of page