top of page

Global Music Column – December

Cheick Tidiane Seck – Kelena Fôly

There are few places to hide on a solo piano record. The often fragile and expressive format has been a gauntlet for some of music’s great improvisers, including Abdullah Ibrahim on 2021’s Solotude and Keith Jarrett on his bestselling 1975 record The Köln Concert. Malian master musician Cheick Tidiane Seck now provides an entry into the canon with Kelena Fôly – his first solo album in an almost 50-year career.


Making a name for himself as a versatile keys player capable of backing the likes of vocalist Dee Dee Bridgewater, free jazz saxophonist Ornette Coleman and Damon Albarn, Seck’s four albums as bandleader have experimented with synth-funk, vocoder and an earthy sense of groove.


Read the review in the Guardian.


[This piece was published on 04/11/22]

Recent Posts

See All

Global Music Column – February

Yazz Ahmed – A Paradise in the Hold Since the release of her 2011 debut album, Finding My Way Home, British Bahraini trumpeter Yazz Ahmed...

Global Music Column – January

Ale Hop & Titi Bakorta – Mapambazuko P eruvian multi-instrumentalist Ale Hop has a knack for unsettling reinventions of musical...

Comments


bottom of page