top of page

Global Music Column – December

Nov 9, 2022
1 min read

Updated: Nov 21, 2022

Cheick Tidiane Seck – Kelena Fôly

There are few places to hide on a solo piano record. The often fragile and expressive format has been a gauntlet for some of music’s great improvisers, including Abdullah Ibrahim on 2021’s Solotude and Keith Jarrett on his bestselling 1975 record The Köln Concert. Malian master musician Cheick Tidiane Seck now provides an entry into the canon with Kelena Fôly – his first solo album in an almost 50-year career.


Making a name for himself as a versatile keys player capable of backing the likes of vocalist Dee Dee Bridgewater, free jazz saxophonist Ornette Coleman and Damon Albarn, Seck’s four albums as bandleader have experimented with synth-funk, vocoder and an earthy sense of groove.


Read the review in the Guardian.


[This piece was published on 04/11/22]

Recent Posts

See All
Global Music Column – August

Gaia Wilmer Large Ensemble – Parabólico Over the past three years, Brazilian saxophonist and composer Gaia Wilmer has reimagined the catalogues of her country’s virtuosos so radically that it’s become

 
 
 
The life and death of dubstep

One of my earliest and most formative clubbing experiences was spent in a church basement in Brixton around 2010. Age 16 and blinded by dry ice, it wasn’t the thrill of gaining entry to a club underag

 
 
 
Hit Machine review

On paper, writer Jonathan Caren’s Hit Machine has all the makings of a chart-topping smash. Featuring the London stage debuts of Josh Radnor (How I Met Your Mother) and Noah Galvin (Dear Evan Hansen),

 
 
 

Comments


bottom of page