top of page

Global Music Column – December

Cheick Tidiane Seck – Kelena Fôly

There are few places to hide on a solo piano record. The often fragile and expressive format has been a gauntlet for some of music’s great improvisers, including Abdullah Ibrahim on 2021’s Solotude and Keith Jarrett on his bestselling 1975 record The Köln Concert. Malian master musician Cheick Tidiane Seck now provides an entry into the canon with Kelena Fôly – his first solo album in an almost 50-year career.


Making a name for himself as a versatile keys player capable of backing the likes of vocalist Dee Dee Bridgewater, free jazz saxophonist Ornette Coleman and Damon Albarn, Seck’s four albums as bandleader have experimented with synth-funk, vocoder and an earthy sense of groove.


Read the review in the Guardian.


[This piece was published on 04/11/22]

Recent Posts

See All

Global Music Column – April

Lord Spikeheart – The Adept Over the past decade vocalist Martin Kanja, AKA Lord Spikeheart, has become a figurehead of the burgeoning Kenyan metal scene: first with frenetic speedcore group Lust of a

Global Music Column – March

Ganavya – Like the Sky, I’ve Been Too Quiet The intricate vocal acrobatics of north Indian classical music have been fertile ground for exciting fusions in recent years. Singer Arooj Aftab’s delicate

Global Music Column – February

Amaro Freitas – Y’Y Brazilian pianist Amaro Freitas approaches the 88 keys of his piano as if they were drums. Across three albums since his 2016 debut Sangue Negro, Freitas has honed a style of muscu

bottom of page