top of page

Global Music Column – January

  • Jan 17, 2025
  • 1 min read

Ale Hop & Titi Bakorta – Mapambazuko

Peruvian multi-instrumentalist Ale Hop has a knack for unsettling reinventions of musical traditions. On her last album, 2023’s Agua Dulce, she and percussionist Laura Robles reimagined the cajón, electronically processing the instrument’s rhythms with skittering synths and rumbling sub-bass to produce eerie, unpredictable percussion. She returns with Congolese guitarist Titi Bakorta, the pair’s lively debut record delivering a new take on the folk-pop sounds of Congolese soukous.


Read the review in the Guardian.


[This piece was published on 17/01/25]

Recent Posts

See All
Global Music Column – July

Various Artists – Candomblé: Sacred Rhythms in Brazil The Brazilian religious and musical tradition of candomblé is a rhythmic barrage. Originating in the 19th century among enslaved west Africans, ca

 
 
 
Global Music Column – June

Matías Aguayo – Anenoa Over the past two decades, Chilean-German vocalist and producer Matías Aguayo’s mutable, instinctive singing has been an instantly identifiable ingredient of leftfield electroni

 
 
 
Global Music Column – May

Serokolo 7 – Maramfa Musick Pro South Africa pulses with electronic music. From the slow-bubbling feel of amapiano to the frenetic pace of Durban’s gqom, Soweto’s marimba-heavy shangaan electro and th

 
 
 

Comments


bottom of page