The trumpets that permeate Teeth of the Sea’s fifth album act like the prophetic horns of Jericho. Laid thick with reverb, they herald the dystopian landscape the London-based trio create through nine tracks of scattering electronic percussion, earthy bass lines and eerie ambience.
Largely instrumental, Wraith plays more like a slab of techno experimentalism than the noise-based maw of their previous record, 2015’s Highly Deadly Black Tarantula. The brutality dissipates on opener I’d Rather, Jack courtesy of Italo disco synths pilfered from Erol Alkan’s Phantasy Sound studio, where this album was recorded. As Wraith progresses, club sounds morph into the jazz horns and dissonant bass of Hiraeth, before taking a breath in the brassy ambience of Burn of the Shieling.
Read the review in the Guardian.
[This piece was published on 22/02/19]